Tranzor’s The Thing: Late Night TV Edit

Posted in Movies on April 26, 2011 by Daryl Brownell

Just when you think you’ve seen it all on the World Wide Web…

While aimlessly drifting through random Google searches last week, I was somehow led to a website called www.fanedit.org, a site where movie fans upload their own versions of commercially released flicks. I was skeptical initially, as I’ve dabbled into the same thing from time to time (for the sake of my own amusement) with less than stellar results. However, one particular edit, Tranzor’s The Thing: Late Night TV Edit, made me curious; not only is John Carpenter’s The Thing my all-time favorite movie, but as I read through the description I discovered that the movie was edited to make it appear like a Chiller Theatre style of local TV broadcast. Considering that I try to catch Wolfman Mac’s Chiller Drive-In every Saturday night, I knew that this particular fan edit might be worth suffering through a day’s worth of RapidShare downloads to watch.

The editor, a fellow who goes by the name of Tranzor (duh), made The Thing black and white, added film grain and scratch noises to emulate that of an old, rotting 16mm film, and zoomed in on the widescreen picture to make a new pan & scan image. Tranzor even cut out scenes of extreme gore and cursing to further enhance the “late night fright night” television experience of yesteryear. Several other changes were made…but I don’t want to ruin any more surprises here.

Don’t take my word for it. Here’s a few screenshots of the movie that I took (bless you, Media Player Classic Home Cinema):

Tranzor's "The Thing"

Tranzor's "The Thing"

Tranzor's "The Thing"

Tranzor's "The Thing"

I have downloaded and burned the DVD. Bravo, Tranzor. Best time I’ve had watching a movie in quite a while.

The banner below will take you straight to the description page, and from there you can find links to download the DVD file folder. NOTE FOR NOVICES: You will need WinRAR to extract the DLC file, not to mention the DVD itself when all the separate RAR files have all been downloaded. You’ll also need JDownloader, an excellent batch downloading program, installed in order to open the DLC file. The DLC will automatically add the RapidShare links for the DVD to jDownloader when opened.

Which brings me to my only complaint tonight: RapidShare sucks. Unless you’re a premium user, downloading a set of RAR files that are 3GB in total size might take you a day or two (as it did for me). Luckily, Tranzor’s other edits are available through Megaupload; I only hope that he’ll add MU mirrors for this at some point.

So what are you waiting for? Get over there, download, burn, enjoy, and leave Tranzor some good feedback while you’re at it.

I Suck as an Editor

Posted in Novel & Story Excerpts, Writing on April 8, 2011 by Daryl Brownell

While skimming over the story excerpts that I’ve posted on this blog, I can’t help but to shamefully roll my eyes at my editorial skills…or lack thereof, especially concerning the excerpts for The Blackening and Ghosts of Cleveland. Needless to say, a ton of errors have been fixed since I originally posted these excerpts and I plan on reposting the updated text to their respective entries soon.

The most difficult messes to clean are the ones made yourself.

The Evils of Social Networking

Posted in Editorials & Rants on April 8, 2011 by Daryl Brownell

Back in 2009, I started a MySpace page to promote my first (and still only) full-length novel, The Blackening. The reasoning behind it was obvious. As an aspiring horror/sci-fi author (and not-so-proud owner of an Ohio Directions card) I wanted to expose my work to the masses and hopefully get lucky; after all, these types of feel-good success stories we always hear about on the news are the kinds of rags-to-riches accounts that keeps us fools dreamin’, right?

After the MySpace page went nowhere in a hurry, I turned to Facebook, which I left in disgust about a month ago. Why? The first reason was that 94% of my Facebook friends really didn’t give a good goddamn about reading my material and helping spread the word; ditto to the dozens of other Facebook pages – mostly small-press publishers and horror-themed groups – that I contacted in a futile effort for exposure and opinions. But who has time to read anything when there are millions of videos to share, thousands of games to play, and hundreds of metaphysical beings to argue about?

Another of my motives for leaving? The lazy factor. Thinking, mentally constructing, and typing a uniquely individual comment based on critical thinking is a rarity on Facebook. If you agree with someone, just click the convenient “Like” button and move on to the next thing. Digital hedonism has a name…and that name is Facebook.

Which brings me to this: Facebook causes people to fall in love with their own lives and how they live them. I sure wasn’t above falling into this trap. I started my Facebook profile to promote my work, not myself, but promoting myself was precisely what I ended up doing; humorous status updates so I could relish in the jovial reciprocation of my friends became the norm. People nowadays are more interested in sensationalized personalities than a human being’s passion, accomplishments, or body of work. Just look at Charlie Sheen. Seriously, how many pictures of yourself do you have to post, how many useless status updates do we have to read, how many PetVille accomplishments do you have to flaunt, or how many music videos do you have to share? Piss off with it already.

All I tried to do on Facebook was use my talents to ascend out of the squalor I’ve lived in my entire life; all I wanted from my friends was a little boost, some input I could use to improve and write even better stories. Maybe my dreams aren’t meant to be. Perhaps those with bad luck act as the counterbalance to those who have better fortunes. But this struggle is all that guys like me have.

The final reason I won’t be on Facebook? I just don’t belong in the maddening crowd. I never have and I never will. Whenever I’m out in public, I go to an area that best allows me to see where everybody else is. Lurking outside of the tempestuous vortex of humanity – perhaps with a few other kindred souls – is right where I belong.

The Problem with America

Posted in Editorials & Rants on March 1, 2011 by Daryl Brownell

When it comes to arguing political standpoints, I’ve been notorious for running my mouth longer than I should. That is exactly a large part of the problem in America these days; there is way too much lip-flapping, dick-flipping and bitch-slapping on social networking sites. Rather than using these tools as a method to orchestrate some GENUINE change, we prefer to sit in the comfort of our own homes and start shit with strangers, protected by our physical distance and varying degrees of anonymity.

As opinionated as I am, I’m finally grasping the fact that bitching amongst other people on Facebook leaves everyone involved with jack in one hand and shit in the other. Most of the time, I find myself arguing with people whose time would be better spent developing proper spelling skills and watching reruns of Reading Rainbow.

So I’ll keep this as brief as I can. I’m going to give you all a glimpse into what I believe is the source of most – if not all – of America’s problems. The Conservatives and the Liberals both will have you believe they’re fighting each other for a better country, but don’t be deceived by this staged act. As soon as the cameras are shut off, both parties are cashing their corporate paychecks and making us all look like the suckers that we are. It’s this type of misdirection that is causing such a massive division amongst the American public.

United we stand, divided we fall. How ironic…oh, how fucking ironic. As long as the political pawns in Washington keep making you focus on our differences rather than our similarities, the mass mind rape will continue unchecked and the faces of our true enemies will remain shrouded and amorphous.

Call me paranoid. Call me a conspiracy theorist. Accuse me of trying to cause further dissension, or blame me for royally pissing you off. Say what you will; it’s your opinion.

Be thankful you still have one.

On to the Next Thing…

Posted in Uncategorized on February 4, 2011 by Daryl Brownell

Amidst taking a break (i.e. playing Call of Cthulhu: Dark Corners of the Earth, watching marathon sessions of Trailer Park Boys, and generally being a lazy sloth), I’ve been conflicted over what idea I should use for another novel. Yep, it’s time for the next big project; I’ve written plenty of short stories the last year and a half and it’s time to move on.

Like pimpin’, writin’ ain’t easy. Well, for me it isn’t. I have plenty of concepts kicking around inside of my brain, bouncing to and fro between the nicotine receptors, the scar tissue, and the foot radar. Yes, for those who read this blog and follow me on Facebook, I’ve resorted to recycling jokes.  

But just because I have a plethora of ideas doesn’t mean that many of them ever see the light of Microsoft Word. A concept has to be something that makes me eager to write; it has to motivate my lazy, disgruntled, and partially disillusioned ass, if you prefer me to be blunt. The one I have right now was actually a seed planted in my head by a good friend by the name of Peter Harrison. Peter, after reading a 1,200-word short story of mine, suggested that I take the concept of the story and turn it into a full-length novel. You ever have one of those moments that make you think or say, “Damn! Why didn’t I think of that before?” That’s what Peter did for me.

In recent days, Peter’s advice has borne fruit in the form of a novel idea that has me pretty hot to dive in, even though the concept has changed significantly from the original short story. I’ve been researching like a madman, sketching out characters (and abominable horrors) in my trusty composition book, and making more notes than an obsessive-compulsive college student. Right now, there’s only a rough outline and sequence of events, but that’s usually how it’s done; “connecting the dots” as I go along is the best way for me to flesh out a plot.

But the story itself isn’t the only aspect that has me excited, even though it’s partially inspired by three of my favorite horror movies: Jacob’s Ladder, Eraserhead, and Seven. No, what has me pumped in how the book will be executed. I’ll be trying some bold writing techniques that – to my knowledge – haven’t been attempted yet, at least not to the extent that I plan on implementing. It’s a move that – if the book is ever put out by a top-notch publisher one day – will either revolutionize and expand the concepts of books, helping them survive in a modern society that craves visual input and immediate satisfaction…or the book purists will all band together, decry the novel as a gimmick, and the big publishers can continue to play it safe by flooding the market with more vampire romance novels and political memoirs.

No matter what happens after the novel is finished, it looks like Peter Harrison just earned himself a credit on the acknowledgments page.

An Update? Whoa.

Posted in Uncategorized on October 28, 2010 by Daryl Brownell

I see I haven’t made any sort of update to the blog in nearly three months. For the four or five loyal readers out there, here’s why: I got a job, worked my ass off for almost two months, then was mysteriously and unceremoniously dismissed. Why, you ask? Hell, I’m still trying to figure it out. The bosses claimed I made too many mistakes on the job…but they never bothered to inform me of any of the “mistakes” that I was making, which is what they were supposed to do as I went through the training process. It doesn’t take a molecular physicist to know that there was something else going on between the lines.

I plan on writing again…I just don’t know when. It’s hard to stay motivated for your craft when no one really bothers reading any of it and you can’t get even a job at the local dollar store.

COMPLETE Short short: “The Time of Your Life”

Posted in Novel & Story Excerpts on August 7, 2010 by Daryl Brownell

What follows was my attempt at writing a story that was under 1,000 words (it’s actually just a little over 600). Why would I write a story that’s so damn brief? Because a writer should always welcome new challenges. I think it helps build a writer’s versatility.

Or maybe I wanted to write something that I could finish in under twenty minutes so I could bolster my sense of accomplishment. Heh.

**** 

     This is getting old, Johnny. Real old. How many fucking times do I have to tell you? I’m not letting you out. Not until you give me back what’s mine, you little bitch. Stop crying already. I brought you some food today. Sorry I forgot to bring you some the last few days or so, but I can see the skin of your fingers must’ve tasted like mozzarella sticks from Applebee’s. Too bad I don’t have any marinara sauce, right?

     Are you ready yet? Think you can give me back what’s mine now so we go our separate ways and forget any of this ever happened? You are my brother, after all.

     Why do you keep telling me you can’t give me what’s mine? You took it and I know you can give it back. Oh, stop flinching. I’m not going to hurt you today. I need you to keep the other half of your tongue so we can talk like distinguished gentlemen.

     Now…where were we? Oh, fucking eat it already. There’s nothing wrong with it; it’s not dog shit or maggots or a salad with dead spiders in it because I ran out of Bacon Bits. Anyway, give it back to me now. If you don’t, then your dick will look like what’s left of the fingers on your left hand come this time tomorrow.

      STOP TELLING ME THAT! YOU HAVE WHAT’S MINE NOW GIVE IT BACK TO ME!

      Why do I constantly have to reiterate it for you? Did you shit out all your intelligence in that bucket, too? Fine; have it your way. You fucked my wife because you’re a coke-sniffing fuck who happens to have a little more ram in the rod than I do. I guess she got a little tired of my inability to keep it hard, what with the goddamn heart problems and all. You took away my wife, my pride, and my self-esteem, you slippery, slithering little piece of gutless fucking shit. I want it all back.

      WHAT? YOU CAN’T GIVE IT ALL BACK? YOU CAN’T GO BACK ON WHAT YOU DID TO ME? I didn’t fucking think so.

     I don’t know just why in the holy hell you’re pissing and moaning. I’m having the time of my life here, ol’ buddy, ol’ pal, ol’ friend o’ mine. I know it must be marginally uncomfortable to have the skin of your ballsack pinned down to the floor with rusty nails, but come on. Nobody likes a goddamn whiner. I-

     “Mr. Wolford? Have you reached a decision?”

     “I…yes. Yes, we’ve reached a decision.”

     “And…?”

     “We’ve decided that we can’t let him live like this. Even if he comes out the coma, he’ll be…disfigured.”

     “Okay, Mr. Wolford. We’re very sorry we couldn’t save him.”

     “Not much you can do for a guy who tries to blow his brains out and lives through it…if you wanna call this living. I don’t know what…or why he woulda-“

     “Mr. Wolford, we have grief counselors waiting for you and your family down the hall.”

     “Right. Right, I’m sorry, I’ll go, and…can I say goodbye first? In private?”

     “Absolutely.”

     “Neil, this is your brother, Johnny. I never wanted you to try and kill yourself over it. If it makes you feel any better…I’ll take good care of her.”

     You have what’s mine, Johnny! Give it back! GIVE IT BAAAAAAACK!

     “She is a damn good lay, though. I can see why you married her.”

     “Ready now, Mr. Wolford?”

     “Yes.”

     Come on, Johnny, I wanna see you try to get off that floor with nails in your fucking balls. I can’t wait-

****

© Daryl Brownell

Short Story Excerpt: “Ghosts of Cleveland”

Posted in Novel & Story Excerpts on July 13, 2010 by Daryl Brownell

The following is a story I wrote last year, but with the recent shallow theatrics of former Cleveland hero LeBron James making a national spectacle of himself and his ego, I believe it has even more relevance now. I updated it recently to reflect these events, but it is mostly unchanged from the day I finished it. What follows is roughly the first half of the story. I’ve lived my entire life in Toledo, Ohio, but my heart has always been in the great city of Cleveland ever since I was a boy. This story was written as sort of a love letter to the city, its teams, its people…and anyone who firmly believes in the word perseverance.

****

“Is the game on yet?”

Darren Cromwell rolled his wheelchair into Christian Milner’s room at the Park Rest Nursing Home, located on the outskirts of Cleveland, Ohio. Park Rest claimed to be one of Ohio’s finest (and, incredibly enough) luxurious retirement homes. To Darren Cromwell, it was simply another prison to inhabit. For most of his life, he was the inmate of his own body and the domineering, sadistic warden of the penitentiary was a vicious (and often overlooked) disease called diabetes. Warden Diabetes claimed both of his legs well before he reached the age of sixty and had robbed him of his sexual function and – consequently – his self-esteem. Peripheral neuropathy was just now beginning to seize its icy, numbing grip on his fingers, as it did his toes and feet when he was younger, and exerting the effort needed to roll his wheelchair was an exercise in pain and discomfort, but his arms – still fairly tone and muscular – retained a good deal of their old strength. As a young man (in the days before Warden Diabetes passed harsh judgment upon his flesh) Darren was tall and strong. He stood six feet, seven inches and could bench press over four hundred pounds. He played high school football for the Woodward Polar Bears in Toledo, Ohio, striking fear in the hearts of opposing teenage quarterbacks as a terrifyingly speedy and tenacious defensive end.

However, those days were long passed. Many bad decisions concerning his personal health during his twenties (taking up the bad habits of smoking and drinking, for instance) was what led to the monkeys he couldn’t shake off his back until it was well past too late. The loss of both of his legs just above the knee left him diminished in stature. The fading of his cardiovascular system weakened his immunity and prolonged the time for even the tiniest of cuts to heal properly. He was a shadow of his former self; a shadow peppered with the numerous scars of a man who finds less and less reason to live with every subsequent birthday. Like his body, most of those close to him had faded away or moved on like dying leaves weaving their lonely paths through a chilly October breeze. Every night he would lie in his bed and stare out the window, longing for Haley, his beautiful wife, who passed on six years before; he hoped with the thunderstruck wonder of a child that there was an afterlife – and if so – then Haley would be there waiting for him when he finally decided to give up the ghost. He prayed, not to God necessarily, but he prayed to all those lost loves and dead pieces of himself that still seemed to scream his name in the night, like abandoned children crying in the street for their parents to return. On most of these nights, after he resigned his burning prayers to go unanswered yet again, Darren Cromwell simply wanted it to be over. He had no descendants; Warden Diabetes had taken care of that shortly after he met Haley. He helped to raise the two girls she birthed from a previous marriage, but they had moved on with nary a glance back over their shoulders at the man they once called father, if not in flesh but in spirit.

Some of the other elderly men in the Park Rest home were envious of Darren, however oblivious he was of their jealousy. He still had a full head of thick hair (now as white as a snow bank on Lake Erie) and penetrating brown eyes that blazed with the warm intensity from inside a web of deeply carved wrinkles. His upper arms still rippled with thick musculature from rolling himself in his wheelchair for almost twenty years. In fact, if it weren’t for his missing legs, even some of the younger male nurses might have been intimidated by Darren. Although, unknown to them, Darren silently wished they would forget his insulin injections one day so he could finally have a little peace.

But he had a reason to live this year, though, oh you better believe it. Today was the first time the team he admired for most of his long, bitter life was playing the biggest game in team history.

The Cleveland Browns were playing in the Super Bowl.

“No! It ain’t on yet! Goddammit!” Christian Milner replied, a little more harshly than he intended to. Christian (Chris to his friends and Pissy Chrissy to his enemies) Milner was also the inmate of his own particular prison. He was the recipient of not one, but two tyrannical wardens: Warden High Blood Pressure and Warden Heart Disease. Christian was a working man at his core. He worked his first job at the age of fifteen and never stopped working, not even after the first heart attack struck him down with the swift, blinding fury of a lightning bolt at the age of fifty-three. He was a burly man for most of his adult life, hovering at around three hundred pounds. He was a fond admirer of Miller Lite beer and fast-food cheeseburgers, although he never ballooned to the mammoth size of his late father. Unlike Darren Cromwell, Christian found his calling in life with the occupation of airplane mechanic at Cleveland International Airport, where he worked for forty long, satisfying years until he retired at the age of sixty-five.

The years were too satisfying for Christian. For a working-class Joe, he lived damn near a life of excess and decadence. Before settling in with his now-deceased wife, Jane, the ass seemed to cascade into Christian’s lap with the steady surge of the Cuyahoga River. It wasn’t his physique that attracted the ladies; moreover, it was his quiet demeanor and rock-steady confidence that made them all quiver and relax their inner thigh muscles. Christian never felt the compulsion to talk about himself, because he always trusted more in actions than words. He grasped the fact that, no matter what the task may be, he could get the job done and done well. Anyone even remotely associated with him could see it simply by the way he conducted himself. The good money he made at the airport also allowed Christian to indulge himself with Miller Lite and all the delicacies of take-out dining he desired. Even after his first heart attack, he refused to give up these privileges of the palette; it took his second heart attack four years later to finally make him see the error of his ways. A third heart attack at the age of sixty-three further cemented the cruel, maniacal glee that existed in the darkened soul of Warden Heart Disease. Christian didn’t empathize with Darren’s morose view of old age and the fading flickers of life that permeate it like faint and dying candlelight. After being admitted into Park Rest, he plunged headfirst into living the remainder of his days as best as he could for as long as he could. It helped him to think of it as just another job; work he could do and do it well he would. He couldn’t bring himself to look back on his life and pine for the things he could never have again.

But even Christian had to admit that the world around him had moved on. The young are young with their whole lives ahead of them; the old are forgotten relics of bygone eras who are never given proper credit for laying the foundations the young must stand upon. Such is the way of humanity. Christian had three children with Jane, all grown up and scattered at different points of the compass, all with children of their own as well. He received Christmas cards from them but never a visit or even a measly phone call. All he had left was his cousin, Darren Cromwell, and his brother, Ron, who both lived with him in the Park Rest Nursing Home.

And the fact that – very soon now – the Cleveland Browns would be playing in the Super Bowl.

Christian, now only one hundred and eighty pounds and minus the wispy, black hair of his earlier manhood, stared at Darren with eager anticipation through his safety glasses. His goatee protruded from the taut flesh of his chin like fine white grass. Darren was taken aback by how much Christian physically resembled their long-dead grandfather. Not only did he get their grandfather’s unbreakable work ethic, but Christian got a good dose of his genes as well.

“Prick,” Darren said at last, a grin twitching the corners of his mouth.

“Heh, yeah,” Christian agreed, “But no, it ain’t on yet. Besides, we’re supposed to go to Ron’s room and watch it, remember?”

“Lazy-ass prick!” Darren exclaimed. He sounded winded and eager for a long nap. “What’s his excuse that he can’t come down here? I have no damn legs!”

“You have legs, they’re just half what they used to be.”

“Ha! Least my face hair doesn’t look like the pubes of King Tut.”

Christian rocked his head back and roared laughter. Such rude and childish wordplay between the old gentlemen was simply a matter of course; they had been doing it since the days of adolescence. An uninformed observer would think the men despised each other with fervent disdain, but, as Darren once so eloquently put it, “The more we fuck with each other, the more it shows we love each other.”

“Burn in hell,” Christian stated after his laughter tapered off. Darren wiped his nose against the back of his hand and chuckled.

“Can you believe it, Chris? The Browns in the Super Bowl? Remember when we all moved to Browns Town after high school, sayin’ that we’d be old and gray before they finally made it?”

“Yeah,” Christian said, scratching an itchy welt on his chin, “They proved us right.”

“Better late than never,” Darren remarked, with a faint touch of bitterness.

“Well, we should get over to Ron’s room,” Christian stated with a sigh, “The game’s gonna start in fifteen minutes. God, I hope they win. Then I could die with a smile on my face.”

“Me, too,” Darren chimed in, “I remember all of us livin’ in Toledo and seein’ nothin’ but Steelers shit being sold everywhere.”

“Yeah,” Christian said agreeably, sauntering up behind Darren’s wheelchair.

“Big men like us couldn’t easily buy Browns clothes,” Darren continued, as if he didn’t hear Christian’s affirmation, “But Steelers stuff? Oh, they sold plenty of big an’ tall Steelers shit. Toledo was the asshole of Ohio, my friend, and that asshole shit out black and yellow diarrhea.”

“Yeah,” Christian responded again, pushing Darren’s wheelchair out into the west wing corridor of Park Rest. Darren was rambling again, and when he rambled, Christian discovered long ago that the best course of action was to utter the occasional “Yeah.” This always seemed to fool Darren into believing he was being listened to when in actuality his monotonous, droning words were oozing in one ear and being ejected through the other.

Christian looked around the hall as he pushed Darren, who was still ranting about the fact that their hometown of Toledo, Ohio supported the Steelers more than the Browns (at least in terms of merchandise). He took note of the other elderly folk as they sat motionless in their wheelchairs or aimlessly ambled through the corridor like forlorn spirits. He felt thankful that, for today, at least, the three of them finally had a purpose besides waking up just so they could go back to sleep again.

We’re all ghosts of Cleveland here, he thought as they approached Ron Milner’s room. We live in the most haunted city in America.

****

Ghosts.

The city of Cleveland knows all about ghosts.

They swirl through the air and whisper their nearly silent curses like Old Testament prophets announcing doom to those who oppose the will of God. For the most part, longtime Cleveland denizens ignore them as they plod their way through life, doing their miniscule parts to keep one of the poorest big cities in America afloat above the waters of obscurity. “Blue-collar” was a term that was seemingly created with your average Cleveland resident in mind: overworked security guards and humbled food vendors, quiet janitors and overwhelmed substitute teachers, weary factory workers and scarcely-tipped waitresses. They all played the most integral roles in keeping the rusted backbone of the city from collapsing under the strain of its own weight, yet they would never receive the credit they so richly deserved. These blue-collar workers were far more important to the desperate survival of the city than the lawyers, the overpaid city councilmen, or the endless stream of mayoral candidates who promised vibrant change and brought little, if any, once they were in office.

Cleveland, like other fading Rust Belt cities, had seen its fair share of spectacular failure inside and outside of sports. It wasn’t dubbed the “Mistake by the Lake” for nothing, after all; evidence of those blunders still stood in the quiet hulks of numerous closed business buildings and forgotten homes that had For Sale signs jutting from riotous and unkempt lawns. Detroit – another long-suffering Rust Belt city – still hadn’t completely disposed of or recovered from the ruins left in the aftermath of the civil riots of the nineteen-sixties, leaving a plethora of scars upon the flesh of the city. On the other hand, Cleveland’s monuments to mistake continued to stand, more or less intact, like gravestones in a gargantuan cemetery. They were a daily reminder of how badly things can (and will) go wrong aside the waters strikingly gray skies of Lake Erie.

Yet, a heartfelt civic pride continued to flow through the streets of Cleveland like blood still pumping rigorously through a narrowed artery. You could see it decorated on the young mother’s stroller as she pushed her baby down the sidewalk on Prospect Avenue. You could see it on the hats and t-shirts of two strangers who exchange pleasant words and a firm handshake inside of the Harry Buffalo bar downtown. You could see it on the children’s attire as they bumbled and climbed around the jungle gym during recess at school.

They bled the Orange and Brown, world without end, forever and ever, hallelujah, amen. The Cleveland Browns were the city’s talisman against the dismal ghosts which hung in the air above the residents like harbingers of death, eager for new failures to accompany them in their lonesome afterlife.

Not to say that Cleveland didn’t love their other professional sports teams. In baseball, they had the Indians; in basketball, they had the Cavaliers. The city also put all their hopes into these teams, wishing in the back of their minds that if one, just one, of their teams could finally trump the odds and bring the starving city a professional championship, Cleveland could stop eating its own heart out for sustenance. They prayed it could bring renewal to not only their teams and the city’s slumping economy but to each individual life therein. Simply put, they subconsciously believed – with the utter surety of the radically religious – that if one of their teams finally brought home that elusive championship, that if one of their teams stood tall in the face of long odds and slim hopes, then maybe they, as individuals, could do it too. The fortunes of their very lives would turn around as an aftereffect.

But it never happened that way. So-called saviors of Cleveland’s professional sport franchises – who always arrived with high fanfare and left with frighteningly shameful frequency – turned out to be not much more than apostles themselves. Unconditional admiration from the fans, the unfailing support of the city, and even one-hundred foot murals erected in their honor were never good enough to keep some gifted athletes in Cleveland for the long haul. Gods and Kings and everything in between; most of them would inevitably expose their true colors and turn their backs on the city, scrambling like wounded dogs for bigger cities, sunny beaches and brighter spotlights.

Yet love and hope always sprung eternal in the streets of Cleveland, and most of that love and hope was bestowed upon the Browns like sacrificial offerings left at the altar of high expectations; perhaps that was why some athletes developed god complexes and thought Cleveland wasn’t good enough for them. But after years of futility, all those sacrifices and all that adulation finally paid off.

During the season leading up to their unprecedented Super Bowl appearance, the Browns posted a record of thirteen wins and three losses, the best such winning percentage in franchise history. Their defense was incredibly stingy, ranking first in the NFL in yards allowed, points allowed, and takeaways. They crushed the Jacksonville Jaguars 51-3 in the AFC divisional playoff (scoring three touchdowns off Jacksonville turnovers) in front of an explosively raucous crowd in Cleveland Browns Stadium. That set up a showdown in the AFC Championship game with the reviled Pittsburgh Steelers, who posted a record of 12 – 4 and had the number two ranked defense in the league. To get there, the Steelers blanketed the Tennessee Titans 30-0 and the Miami Dolphins 17-0.

On paper, it looked perfect; the Browns vs. the Steelers in Cleveland. Hated rivals would fight near the banks of Lake Erie while the biting winds of Old Man Winter whirled through the stadium, carrying the frantic, enthusiastic cheers of almost one hundred thousand unflinchingly devoted Browns fans – the number one defense in the league versus the number two defense – the winner goes on to the Super Bowl, the loser goes home.

It looked perfect to everybody except Browns fans, who began to hear the faint but intense murmuring of the ghosts as they stirred in their heavy shrouds of heartache. The ghosts started to freely walk the streets in full force and mutter baleful reminders of all those other times the Browns came up short: Red Right 88. The Drive. The Fumble. They spoke of Art Modell, that greedy, heartless bastard, who ripped the Browns out of Cleveland after the 1995 season and moved it to Baltimore and rechristened them the Ravens, leaving the city without the Browns for three hollow and mournful years. The ghosts whispered of those who came to Cleveland in order to help the Browns bring the city a championship but never could, despite their brilliant play: Brian Sipe and the rest of the Cardiac Kids. Hanford Dixon. Bernie Kosar. Webster Slaughter. Kevin Mack. Clay Matthews. Eric Metcalf. Vinny Testaverde. Michael Jackson. Michael Dean Perry. The ghosts spoke of these names as grave reminders to Browns fans that, no matter how far they went or how much progress they made, the team would never get far enough…just like the Cavaliers and Indians.

But, something magical happened on that frosty January afternoon. The continually crushed aspirations and despondent rage of an entire city manifested in the communal spirit of the Browns. It was the day that Cleveland finally forged a new identity out of the ashes of its own inadequacies and truly earned its once-meaningless nickname.

Believeland.

Trailing the Steelers 12-9 with less than five minutes to play in the game, Cleveland scored a touchdown on a fifty-four yard running play (the only big play of the game for the Browns’ offense, as the Steelers’ D played like men possessed by demons up until that point) to go up 16-12. The ensuing kickoff was returned by the Steelers to their own twenty-two yard line, giving them just over four minutes to drive seventy-eight yards for a touchdown and break the hearts of Browns fans yet again.

The announcers of the game began to discuss The Drive of the 1986 AFC Championship that made John Elway, his alarmingly substantial teeth, and the Denver Broncos as hated in Cleveland as the accursed Steelers. Fans watching the game on television at home (or at overcrowded sports bars) vehemently wished the announcers would kindly shut the fuck up. They didn’t need to be reminded, thank you very much. Fans assembled in the stadium didn’t need the announcers to remind them. They could already feel the malevolent presences of the ghosts as they ascended from the waters of Lake Erie and the Cuyahoga, settling upon their shoulders and crushing them with the unbearable weight of towering leviathans.

The Steelers then – predictably enough – marched methodically down the field, chewing up the remainder of the clock and dampening the hopes of Browns fans everywhere with each first down obtained. Then only twenty-four seconds remained and the Steelers had a first and goal at the Browns’ seven.

What happened next came to be known in Cleveland simply as The Stand. It was when the Browns finally decided that enough was enough, and their time would not be denied, not this time, not ever again, forever and ever, hallelujah, amen. Darren Cromwell, Christian Milner and Ron Milner – all watching the game on television with the rapt attention of young boys listening to a riveting campfire story – could see something wash over the faces of the Browns’ defense as they lined up for the first of those dramatic and heart-stopping downs. It was the look of unbreakable determination that comes not from the mind but from the deepest reaches of the heart and the soul. The Browns could sense the ghosts and they could hear them, all right. They just didn’t care about them anymore.

On first and goal, a run up the middle was stuffed for no gain. The Steelers called timeout with seventeen seconds remaining.

On second and goal, a screen pass to the running back resulted in a fumble after a vicious tandem tackle in the backfield by two swarming Browns linebackers. A chaotic scramble for the loose ball followed, which was recovered by the Steelers ten yards behind their previous line of scrimmage, on the seventeen yard line. They called their final timeout with six seconds left.

By this point, the Dawg Pound was making enough racket to awaken any of the remaining entombed mummies of Egypt. They could smell the coppery aroma of blood. The ghosts, shrieking in abject protest, began to lose their grip on the city of Cleveland.

On third and goal, a pass to the two yard line was ruled incomplete when the Steelers receiver was smashed by a streaking Browns cornerback just as he caught the ball, jarring it loose. The fans erupted with the frightening, enthusiastic strength of a nuclear bomb detonation, thinking the game was over and the Browns were off to the Super Bowl. But after their initial jubilation subsided, they looked at the clock in the stadium and realized there was still one second left.

Fourth and goal from the Browns’ seventeen. Neither team had any timeouts left. Barring a defensive penalty, this was the play that would decide which of the bitterly hated rivals would represent the AFC in the Super Bowl.

Out of the shotgun formation, the quarterback of the Steelers dropped back to pass. Heavy pressure by the Browns’ defensive line off the snap forced him to abandon the pocket and scramble to the left of the field. Seeing no good options there, the quarterback ducked a tackle by a speeding Browns linebacker (drawing a collective and disappointed ooohhh from the crowd) and he scrambled back toward the right with both defensive ends hot on his tail. A fraction of a second before they pulled him down from behind, the Steelers quarterback rifled a bullet toward an open receiver in the end zone.

Fans watching the game on television thought that – for a stomach-plummeting second or two – the pass was reeled in by the receiver. The impression was given because the camera panned a sharp right to follow the receiver’s path as he streaked toward the back of the end zone. The Browns linebacker who vaulted into the frame from the right side of the screen and fell to the turf was scarcely noticed by TV viewers. Then the fans in the stadium exploded again, and the announcer started screaming in a raspy voice that grew hoarser as he went on with his excited and frantic babbling.

“INTERCEPTED! INTERCEPTED! IT’S ALL OVER! THE BROWNS HAVE BEATEN THE STEELERS! The ghosts have finally been put to rest! The Cleveland Browns are going to the SUPER BOWL! CAN! YOU! BELIEEEEEEVE IT?”

Then fans – including all of those in the Dawg Pound – charged down onto the field in a state of feverish and blinded ecstasy that was a shared emotion with the Browns players. They ran to meet the flowing mob of their fans; the fans that stayed loyal, the fans who never wholly quit on them, and the fans that were always more like family than followers. They started lifting the players onto their shoulders and parading them in frenzied circles all over the field, chanting SU-PER BOWL! SU-PER BOWL! As the Steelers’ players – who simply stood around for those first few moments, shell-shocked at the fact that they didn’t get their way against the Browns for once – began trickling, dejected, back into the locker room, the fans and the Browns players started singing, “NA-NA-NA-NA, NA-NA-NA-NA, HEY-HEY-HEEYY, GOODBYYYYE!”

In Ron Milner’s room at the Park Rest Nursing Home, Darren Cromwell was openly weeping as he watched the touching spectacle unfold on television, wishing against reality that he was younger – or still just able-bodied enough – to be there in Cleveland Browns Stadium at that moment. The scene also made him think of his childhood, of all those special occasions when Darren’s parents would drive him and his sister to Norwalk, Ohio, to visit his grandmother and aunt. There, in Arlene Cromwell’s modest little home, they all would sit around the television watching the Browns, sipping RC Colas, laughing, enjoying each other and the team they all adored with the exclusive magic that only members of a family can create together. They were all many years in their graves now, and Darren speculated if some of them – or maybe all of them – were able to see the glorious triumph that he was witnessing. With a melancholy that was too deep for any words, he sincerely wished they could.

Christian and Ron – like Darren – were also crying but were slapping each other five and shouting expressions of gratified exuberance, like YEAH! and ABOUT GODDAMN TIME! and WOOOO! Soon all three of them – tears on their grizzled, weathered cheeks and feeling younger inside than they had in decades – sat in a rough circle facing each other. They started their own chant while stomping their feet in rhythm with the words (in Darren’s case, he pounded his fist on the arm of his wheelchair): BROWNS! BROWNS! BROWNS! BROWNS!

Christian, who was never good at displaying outward love or sentimentality, felt a rush of adoration for Darren and Ron that brought on a fresh volley of tears. He glanced back at the TV, taking in the ongoing celebration of the Browns, and looked back at his two brothers: one also from his own mother, one from another, all bonded by blood, spirit, and the orange and brown.

We’re all family, Christian thought. Our teams…and us.

But merely two days later, the collective jubilation of Browns Backers the world over gave way to doubt once more. Sure, they had finally brought home an AFC Championship and were on their way to the Super Bowl (where they would be facing the fearsome New York Giants, who went 15-1 that season), but now the realization was sinking in like coagulating sugar sinking to the bottom of a forgotten jug of Kool-Aid: they had to bring home that Lombardi trophy. They had to. If they didn’t, they might not get another chance for ten, twenty, a hundred years, even. The legendary Stand against the Steelers would mean nothing if they couldn’t go all the way and hoist that Trophy high for the world to see, telling the world that yes, the Browns are finally Super Bowl champions, that they proudly represent the city of Cleveland and every one of its blue-collar citizens and, for that matter, Browns Backers elsewhere in the state of Ohio and all across the globe.

Was it any wonder that the Browns’ unofficial mascot was a dog? That arguably the most noisy, creative and loyal fans in football were those who spent their hard-earned money for seats in the Dawg Pound every single game, even though most of those games – until recently – ended in Browns defeats?

The Cleveland Browns bestowed a voice and an image to the dog in underdog. And isn’t that what we all are as we grow up and face the harsh realities and seemingly insurmountable challenges of life?

****

© Daryl Brownell

10 Simple Rules for Making a Great Horror Movie

Posted in Editorials & Rants, Movies on July 5, 2010 by Daryl Brownell

Horror movies today have left me disgruntled and disillusioned (or maybe I’m just always brimming with piss and vinegar). Paltry remakes, tedious sequels, and uninspired, formulaic retreads permeate the landscape of big-budget modern horror movies. If you want to see any kind of originality, you’re forced to sift through the independent circuit.

Even the horror masters have faded in recent times. George A. Romero, who merely five years ago proved he still had some of that zombie magic left after a twenty-year hiatus with Land of the Dead, has since released two sub par zombie flicks independently. These movies, Diary of the Dead and Survival of the Dead, contain interesting concepts that are never explored to their full potential, lack of character development (something George has always been well known for), poor CGI effects and silly, physics-defying methods of zombie disposal.

I know that my opinion will invoke the ire of Romero loyalists – who all believe that George can do no wrong when it comes to zombies – but I don’t hold back for anybody on God’s green earth. Hell, I’m a George A. Romero loyalist, but I think I know a classic zombie flick when I see it, and his last two movies left me with nothing more than a sour taste in my mouth.

But at least George is still plugging away; you’ve got to give him that much. John Carpenter – who as of this writing is finally filming another movie – has been mostly MIA since 2001, which was when the mediocre Ghosts of Mars was released. Sam Raimi, who brought horror, comedy, and comic book heroism together in Evil Dead 2, Army of Darkness and Darkman, has recently delivered the entertaining Drag Me to Hell, but will Sony Pictures and the Spider-Man franchise do the same to him?

Those are just a few of the maestros. But never fear, Hollywood; Daryl is here to save you from the kinds of horror movies that only spoiled teenage girls talk about at the mall’s food court. They are called Daryl’s 10 Simple Rules, and – if you obey each rule – the chances are good that you’ll finally make a horror movie that won’t be considered just a great horror movie, but a great movie. Period. Of course, these rules can be bent depending on what type of horror movie you’re making; a horror/comedy, for example, is never limited to any sets of rules. But if you want to make an all-time classic that really scares the bejesus of your intended audience for years to come…then you’ve come to the right place. Daryl’s Boot Camp is in session, and you don’t have to like it.

You just have to do it.

RULE #1: SET THE TONE. Hollywood…stop kicking off your horror movies with music video-like presentations, over-the-top opening credits or no opening titles at all. I love heavy metal music, but even I have to admit that it has its place and that is not at the beginning of a horror movie. A plodding opening sequence with haunting music and disturbing imagery interspersed throughout can do much, much more. A few examples of this would be Seven (1995), Dead Birds (2004), and Land of the Dead (2005). You can even mix up this formula, like the Dawn of the Dead remake did; start off fast, grab the audience by their collective throat, really suck them into the chaos…and then slow it down. Setting the tone for a horror movie is all too often overlooked.

RULE #2: ESTABLISH THE ATMOSPHERE. This is also disregarded by many modern horror movies. Dramatic camera angles that highlight long shadows, darkened crevices, ominous skies, claustrophobic stairwells and hallways, etc. slowly absorb your audience into the mounting tension. If you make your environments seem as menacing as your monstrous catalysts (whatever they happen to be), then the audience empathizes with your characters more and paranoia becomes communal. Examples can be seen in The Exorcist (1973), Halloween (1978), The Thing (1982), Prince of Darkness (1986), The Ring (2002), and Dead Birds (2004).

RULE #3: LITTLE OR NO MUSIC. Throw out the kind of loud music that mindlessly attracts your adolescent demographic and scrap even complex symphonic arrangements. High decibel levels always divert the human senses from the escalating suspense. You don’t want your music to be loud at all; rather, you want your music to be subtle and ambient, something that slithers through the ears and into the viewer’s subconscious. Bass, synthesizers and keyboards can do what no electric guitar, wicked rhyme or orchestra can do. This rule has a symbiotic relationship with Rule #2. When both are done well, they feed off of each other and augment the atmosphere. A shining example of this can be seen in John Carpenter’s incredible The Thing (1982). When MacReady throws the kennel door open and casts his flashlight on the abomination inside of it, listen carefully to the music in the background. As the dog-thing shrieks its rage at the stunned humans, that warbling, droning music crawls under your skin (kind of like the thing itself) and immediately tells you that the end was nigh for the inhabitants of Outpost 31.

However, some scenes demand no music. In The Exorcist (1973), the only music needed during the climactic exorcism was the fearful screams and hollow commands of the two embattled priests.

RULE #4: DEVELOP THINE CHARACTERS. Character development? In a horror movie? What a staggering concept. But did you ever wonder why so many people cheer on the murderous exploits of Jason Vorhees in the Friday the 13th films? With Tommy Jarvis being the sole exception…IT’S BECAUSE THE CHARACTERS SUCK. They’re shallow, sex-crazed teenagers with no other thought or compulsion but to get intoxicated and screw like rabbits eating whole ginseng roots. Hell, I support Jason as he rampages through Crystal Lake like a homicidal Hulk, because he has more charisma wearing a mask and brandishing a machete than the 1,786 (or so) horny teens he’s brutally killed…combined.

Developing your characters is vital to making an effective horror movie. If the viewer doesn’t care about the main characters or their plight, then how do you expect the audience to ever be scared for them? Total immersion in fear is the most necessary ingredient in a horror movie, and these rules are aimed to cover fear at any and every angle. When Roger is bitten by a zombie in the original Dawn of the Dead, I’m willing to bet most of you were pretty upset; I sure was when I first saw it. Why is that? Because his character was pretty well embellished before that point…but the role was also well-acted by Scott H. Reiniger. Struggling and relatively unknown actors usually have something to prove, which is why I would prefer casting them rather than big-money actors if I were making a horror movie. But well known actors can also surprise you; John Cusack’s role in 1408 (2007) comes to mind. His acting made that movie and gave the character of Mike Enslin a great deal of substance. Pick the actors that can best bring your characters to life and utilize those talents to properly flesh those characters out.

RULE #5: KEEP THE “JUMP” MOMENTS TO A MINIMUM. You want to tease your audience, not desensitize them thirty minutes into your film. If you litter your movie with too many “jump” moments – whether they’re justifiable or not – your audience won’t give a rusty you-know-what when the genuine scares begin. Here’s an example of an effective “jump” moment: Heroine hears strange noise upstairs. Heroine goes to investigate. After a lengthy sequence that’s full of tension and expectation, the heroine discovers…absolutely nothing. The heroine goes back downstairs so she can go to bed. She brushes her teeth. She gurgles mouthwash and spits it into the sink. She looks at her face in the mirror. She puts on her nightgown. She opens her bedroom door. She walks past her closet AND SOMETHING GRABS HER FROM INSIDE THE CLOSET! A successful “jump” moment happens out of nowhere, especially after a sense of normalcy has been established (or re-established) in a particular scene.

Many horror fans fondly recall Jason erupting from the waters of Crystal Lake at the end of the original Friday the 13th as one the greatest “jump” moments of all time. I agree, but I think I have a better one in mind; anyone who’s seen The Exorcist III will know exactly what I’m talking about.

RULE #6: GET RID OF THE SHAKY CAMERA. Shaky camera shots are fine during a scene of intense action, but I don’t want to get seasick while I’m watching a simple exchange of dialogue. It seems that shaky camera shots are littered across the landscape of both the silver and small screens nowadays. My only theory is that this current trend has been inspired by reality TV…and if you’re turning to reality television for any sort of new ideas to implement in your horror movie, you need to go back to the drawing board.

RULE #7: TONE DOWN THE GORE FACTOR AND CGI. Gore and violence should be kept to the barest minimum possible in a horror movie. Why? Go back up to Rule #5 and read it again. Desensitizing your audience too quickly will make them more apathetic when beloved characters start to get maimed later on. When gore and violence does happen in a movie, it should happen like how it does in real life…short, sloppy, and vicious. Have you ever seen a real fist fight? I’ve seen plenty – and been in more than a few myself – to understand that real violence is not a fluid arrangement of physical sequences; a fist fight is a rough, bloody tangle of flying limbs. Whether it’s a physical altercation or the brutal death of a character, keep it short and simple…like a punch in the stomach.

Now, about CGI. STOP RELYING ON IT SO DAMN MUCH. CGI should be used to enhance tried and true effects and/or cover up flaws in its design. While there are a few exceptions to this rule, it angers me whenever I see sloppy CGI instead of remarkable animatronics or puppetry; I can spot shoddy CGI effects from a mile away…and I’m blind in one eye. CGI can’t replace a good squib when a zombie gets its brains splattered all over the wall. CGI can’t replace the realism of a hideous creature built by a dedicated FX team who adore their dying craft. CGI can’t replace excellent makeup or gruesome masks…but CGI can supplement some – or all – of the above. Construct your effects before you bring in the computer geeks to help out.

RULE #8: AMBIGUITY. Audiences today demand explanations. Let me tell you something: as a horror writer, I hate trying to come up with believable – or, at the very least, halfway plausible – explanations to otherwise unexplainable phenomenon. That’s why I’ve stuck with short stories and novellas recently, because writers are still allowed to make a hasty exit when the reader is expecting complete clarification. In a movie, ambiguity is the best bet. Explain some things but leave other questions unanswered. An example would be to explain what your horrific catalyst is, but never reveal where it came from. Then the question of where becomes the quandary of each and every person in your audience. They will find their own answers, and that kind of interactivity with your intended audience will flourish into loyalty for your creation. When it comes to answering who, what, when, where, how, and why, resolve only half of those queries at the most.

H.P. Lovecraft said it best. “The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.” All aspiring horror creators should take his words to heart.

RULE #9: END IT ALL. This is horror, and in horror, the good guys rarely win. If they do win, if they manage to defy the odds and overcome the unspeakable horrors they must face, it should always come with a heavy price that’s usually paid with their sanity or their souls. Halloween (1978) has a climax that alarms the viewer even though Laurie Strode and Dr. Loomis survive. The ending troubles you because you know next to nothing about what, exactly, Michael Myers really is, but you know that he’s still alive and you know that he could be anywhere, watching and waiting in the shadows.

Classic examples of effectively disturbing and nihilistic climaxes can be found in Night of the Living Dead (1968), Invasion of the Body Snatchers (1978), The Thing (1982), Saw (2004), 28 Weeks Later (2007) and The Mist (2007). The ending of The Mist was the last movie I’ve seen to have a soul-crushing finale that kicks you in the gut. Repeatedly.

RULE #10: TO HELL WITH SEQUELS. Sequels are mostly wastes of time. I liked the first Saw because it was one of the few movies to come out over the last ten years that I couldn’t accurately predict at the 40 minute mark. Saw II, however, was much more predictable, at least for me. I lost interest halfway through Saw III, and I haven’t bothered to watch any of the latter sequels. Some of them may even be good (or have good qualities to them), but my motivation for watching them is nil because I’m tired of the formula. When you make a horror movie, you’ve got to have a balls-out mentality with it. Don’t plan for any sequels or cater your story for a potential sequel. Implement your best ideas and hardest effort now. If sequel opportunities do come along, and if you genuinely care about your creations, you’ll be forced to raise the bar that you’ve already set for yourself. Just try to keep the sequels at one or two, please. When a franchise hits four movies long, you’re asking for creative self-implosion.

That’s it, Hollywood. Obey Daryl’s 10 Simple Rules and horror movies can stop languishing in the purgatory of remakes and unoriginality you’ve put them in. Just mention my name somewhere in the credits.

I’m starving here.

Excerpt from “The Blackening”

Posted in Novel & Story Excerpts on June 29, 2010 by Daryl Brownell

What follows is the first chapter of The Blackening, entitled Casting Long Shadows. It is a prelude of the horrors that ensue later on. I hope you enjoy it enough to want to see the novel published…so you can read the rest.

With the lights left on.

1

——–

March 6, 2002: Seattle, Washington

Joe Marshall didn’t like the way his friend, Arlen Rice, looked when he came into work on Monday, March 6, 2002. It was a cold and rainy day, the gray overcast hanging low over the city like a mushroom cloud sagging in the hours following a nuclear explosion.

Not that bitterly cold and wet weather was out of place for Seattle, Washington. Far from it. But Joe – who had known Arlen for almost three years – understood his friend wasn’t feeling himself as of late. For most of that particular work day, Arlen looked poised on the brink of jumping out of his own body and running the forty-meter dash. What Joe especially didn’t like was how Arlen’s eyes kept darting back and forth in their sockets, as if he were trying to see people hiding out in the corners of his vision. Joe’s father, Mickey, displayed the same expressions and mannerisms after returning home from Vietnam. Two years later, Mickey Marshall was living out the rest of his days in Highline West Seattle Mental Health Center after a short stint in the VA hospital. He died three years after his admission and sometimes Joe would lie awake at nights – questioning with a childlike naivete – if the people his father’s haunted eyes were always searching for finally arrived and reclaimed the rest of him, the leftover parts that didn’t already die in Vietnam.

He would tell himself that it was a silly and ridiculous idea, of course. His father was sick, his father was fractured, and that was all, no more and no less than that. But his rationalizations didn’t have much substance to them while lying awake in the early hours of the morning, as he often did following his father’s death. With the darkness outside settling its weight over Seattle and the persistent drizzle of rain beating on his apartment windows like the seeking hands of blind devils, it was all too easy to feel contaminated with his father’s paranoia.

Joe Marshall and Arlen Rice both were employed at the FedEx shipping warehouse on South Alaska Street and another typical business day was drawing closer to its end. Joe had just finished inventory when he spotted Arlen parking his amazingly beat-to-shit forklift at the far end of the warehouse. Arlen stood up out of the forklift’s bucket seat and Joe once again thought that arthritis – once it sunk its brutally dry claws into his joints – would show Arlen Rice no mercy. He was a tall man, almost six-foot-six, and bulky. Watching him crawl out of the forklift and stand fully erect was almost like witnessing a cardboard box unfolding and constructing itself into a manlike shape.

“Hey, Arlen!” Joe called as he came within earshot of him.

Arlen turned to look. His eyes, which were the same shade of dark brown as his skin, gazed at Joe with an absent recognition. His mouth, which was mostly obscured by a thick mustache and connecting goatee, didn’t smile or show any other form of acknowledgement. As Joe drew closer, he could see the puffiness swelling up out of the flesh around Arlen’s eyes.

“What’s up, Joe?” Arlen asked nonchalantly as he stretched his back, which popped in what sounded like two dozen places.

Joe studied Arlen’s face for a moment. “Is it the insomnia again? You look like you haven’t slept since the last time the Sonics made the Finals.”

Arlen voiced a faintly amused grunt and nodded. He had always suffered from occasional bouts of insomnia – some so severe he would go days without sleeping – ever since he was a teenager.

“You ever think about gettin’ some meds for it, man? It makes me nervous knowin’ that you’re drivin’ around that forklift all sleepy.”

Arlen did smile now, but it was a strained smirk that didn’t appear as if it was full of much humor. “Thought about it. But the doc just put me on some shit for my cholesterol, and the medical here ain’t all that great. I’m sick a’ damn co-pays.”

“I hear ya, but still,” Joe said as Arlen twisted his head at an angle, cracking his neck. “You should probably check into it soon. You look…”

His words trailed off. Arlen looked at him curiously, his brow furrowed.

“You look like a damn maniac!” Joe blurted out at last. Both men laughed.

But looking back on it later, Joe Marshall knew that he laughed much more heartily than Arlen Rice did.

“Guess I must look like a maniac,” Arlen said. He started to lumber in the direction of the office, where both men would punch out their time cards for the day. “I’ve slept ‘round two hours a night the last week or so.”

“Really? Something keepin’ you up?”

Arlen shook his head. “Not really. Just I go to bed an’ two hours later, I wake up. No dreams about crazy-ass burned guys with finger-knives-”

As he said that last, Arlen theatrically waved his right hand through the air while wiggling his fingers in different directions. Joe chuckled, knowing that Arlen was jokingly reciprocating his earlier “maniac” remark.

“-no dreams ‘bout anything. I just wake up and can’t go back to sleep.”

They were just outside the door to the office now. Arlen ran his hand over his eyes in an distracted gesture that appeared to Joe as one of utmost weariness. “Wanna go get a beer?” Joe asked.

Arlen gave him a look that Joe couldn’t quite decipher. It made him feel somewhat tense.

Don’t worry about it, Joe told himself. He’s just dying for some sleep. That’s all it is.

“Just one beer, man,” Joe went on. “I think you need one, and cholesterol meds be damned for a day.”

Arlen took a deep breath and then exhaled it. His body language made him look as if he were deflating, like a leaky balloon steadily releasing its air.

“Can’t,” he replied with simplicity. “Don’t have the time today. The Swolskys are comin’ over for supper, and Lissa wants me to help out.”

Joe nodded his head reluctantly. “You wanna take a rain check on it, then? Tomorrow, maybe?”

This time Arlen laughed with genuine good cheer and it made Joe relax a little. “A rain check? Here, in Seattle? Every damn thing is rainy here.”

Joe grinned back at him, showing teeth that were beginning to turn yellow from twelve consecutive years of smoking. “Yeah, good point. How about it?”

“Don’t see why not,” Arlen said. He took a glimpse at the mammoth digital clock mounted on the wall over the top of the office door. “It’s four now. You ready for freedom?”

Joe’s eyes brightened. “Hell, yeah. Until tomorrow morning, at least.”

They both went into the office and clocked out. They said their respective farewells outside and Joe watched Arlen pull out of his slot and begin his drive home. Joe stood motionless for some time, looking like a small and thin statue of a man erected in the middle of an emptying parking lot. He continued to look in the direction that Arlen went and thinking once again of his father, Mickey, who always seemed to be looking for people that weren’t there. He harked back to those nights when he laid awake with his own bout of insomnia, looking timidly at the windows as the rain pattered and spattered against them like seductive, threatening murmurs without end, pondering the existence of things that weren’t there, things no one could see no matter how hard they tried, things that weren’t there but were real enough to haunt the mind and real enough to feed on the mind, chew on it with ravenous zeal until there was nothing left, nothing remaining but a hollow cocoon of a human being.

It was the last time that Joe Marshall saw Arlen Rice in person. The next time he saw his friend he was on the news.

—————————

When Arlen Rice stepped into the front foyer of his house, the first thing he could hear was his two children, Shauna and Arlen, Jr., playing upstairs. He felt his stomach flutter upon hearing their squealing and delighted voices. It was a sensation that bordered on full-blown nausea.

He took off his jacket and hung it up on the only accessible hook jutting out of the mounted coat rack, which was one of the first modifications he installed after he bought the house in the spring of 1999. He could hear voices coming from the dining room, which was off to his right and past the living room. It sounded like the Swolskys were already there, after all. Arlen liked the Swolskys from the start, because – unlike some of the other people living in the neighborhood – they didn’t give Arlen and his wife, Melissa, curious stares when they were together outside. Arlen was an African-American married to a white woman of Jewish descent – as were the Swolskys – and the neighborhood consisted of mostly older white folks raised in typical suburban close-mindedness. However, after they were established in their residence for awhile, Arlen realized that it wasn’t racism; it was just simple yet sometimes uncouth curiosity. Joe Marshall – that lord and master of obscure trivia – once told Arlen that Washington had the lowest population of blacks of any state in the country. Arlen had no qualms believing his imparted statistical fact. After moving to Washington with his mother from Champaign, Illinois, when he was ten years old, Arlen’s adjustment to his new home and surroundings had bordered on outright culture shock. He was afraid to make new friends because there were very few other black kids in the school he attended. It made him feel much more self-conscious about who he was than he ever felt back in Illinois. However, any misgivings about his ethnicity were – at least in his case – unfounded. Once he settled in and became more confident, making friends and being accepted was never a problem for Arlen Rice.

Sometimes he thought those initial questioning stares from his neighbors were because of how he and Melissa must have looked together. She was a shrew of a woman compared to her husband, standing almost a full foot shorter than he and possessing a body frame that was petite and appeared delicate. Maybe the neighbors weren’t curious after all. Perhaps they were only amused that this hulk of a man would find himself married to a woman who looked like she could be blown across the room if he sneezed too hard, like a fallen leaf caught in a high gust of wind.

Arlen made his way through the living room. Sitting on the couch and playing Halo on the Xbox was Gary and Sandra Swolsky’s older son, Jacob. He was ten years old yet was already forming pimples on his cheeks, a precursor of an adolescence that was still a few years away. His black hair was cropped close to the skull and a strong frown of concentration was on his face, hooking the tip of his narrow nose downward. To Arlen, Jacob looked like he had just breathed in the stench of an exceptionally gruesome fart.

“Hey, Jacob,” Arlen said, smiling at the sight of his scowling face. “I thought you beat that game already.”

Jacob looked up at Arlen, the grimace fading from his face. He shrugged his lanky shoulders through his Seattle Seahawks football jersey and said, “I did. But it’s so much fun to play.”

“Where’s your sister?” Arlen asked. He was referring to Caitlin, Jacob’s younger sister by two years.

“Upstairs with Junior and Shauna,” Jacob replied.

“Arlen, you home?”

It was the voice of Melissa coming from the kitchen.

“Yeah, it’s me!” Arlen called in return. He looked back down at Jacob and saw that his attention had once again vanished into the depths of Xbox Land.

“You mind giving us a hand in here?” Melissa asked in a raised, almost booming voice that betrayed how undersized of a woman she really was.

“In a minute,” Arlen called in return. “I’m gonna go upstairs and check on the kids first.”

Gary Swolsky emerged in the doorway that led into the dining room with comedic swiftness. It made Arlen think of Kramer’s dramatically unexpected entrances in the sitcom Seinfeld.

“Hiya, Arlen,” Gary said. Gary – much like Melissa and his own wife, Sandra – was small in stature. He had receding black hair with flecks of gray and large, brown eyes that peered at Arlen through wire-rimmed spectacles. His face was covered in a full yet well-trimmed beard that somehow made him look ten years younger. “Don’t worry about it. Go help our little ladies in the kitchen. I’ll check in on our boogers.”

Arlen shook his head. “It ain’t a problem, Gary. I’ll be back up an’ down before you know it. Why don’t you give Lissa and Sandy a hand until then?”

Gary grinned satirically. “Always trying to get out of housework, ain’tcha?”

Arlen uttered a short and nasal laugh. “Nah. It’ll only take me a minute. Two, at the most. I think you’re the one who can’t handle chores.”
Now Gary Swolsky could see what Joe Marshall had seen on Arlen’s face earlier: that expression of weary paranoia, as if Arlen had been awake for thirty-six successive hours looking out of his windows for someone’s inevitable arrival.

“Hey, Arlen…are you…”

Arlen knew where Gary was going with his hesitant and partially finished question. “I’m just tired, Gary. Having the insomnia again. Go on. I’ll be in soon.”

There came a burst of shrill laughter from the kitchen as Melissa Rice and Sandra Swolsky struck upon something mutually humorous.

“Okay,” Gary said. “But do I have to keep telling you to try some Valerian root? The GNC at the mall has some in capsules. Sandra had to take it after we had Caitlin, because the postpartum was hell on her sleeping.”

Arlen yawned. “Maybe I will,” Arlen replied, intending to do no such thing in the near future. “I’ll see you guys in a few.”

Arlen turned and made his way back through the living room – passing by the oblivious Jacob Swolsky, who was still playing Halo with a grim obsession – and through the foyer. As he started to climb the stairs, he could feel queasiness churning and bubbling in his stomach again. He could hear the three of them engaged in some sort of lively activity in Junior’s room.

Arlen surfaced in the doorway, the shadow of his considerable frame falling over the three children like vindictive judgment of the damned. Sitting on the floor in front of him, from left to right, was Shauna, Arlen, Jr. and Caitlin Swolsky. Shauna was a tall girl for her age; even while on both knees, she was almost the same height as the standing Caitlin. Arlen Jr., his thick, curly hair falling into his eyes, was sitting on the floor and holding an obnoxiously large Nerf gun in his lap.

“Hey, Dad,” Shauna said, smiling warmly at her father as he went into the room. Arlen was taken aback looking at his daughter, for he knew that she was going to be strikingly beautiful (although taller than a good deal of her male contemporaries) when she grew up.

Caitlin, always so introverted around any adult that wasn’t either of her parents, blushed and waved a small hand at Arlen, who returned the gesture and offered her a labored smile.

Junior looked ecstatic to the point of spontaneous combustion at the sight of his father. “Dad!” Arlen Jr. almost shouted, his grin exhibiting a medley of adult teeth and gaps most recently filled by departed baby teeth. “Me an’ the girls’re gonna play guns! You wanna play, too?”

Shauna overdramatically rolled her eyes at her brother. “That’s all you ever wanna do.”

Arlen Rice smiled, his eyes appearing to jitter in the puffed flesh around their sockets. “Sure, Junior, I’ll play guns with you,” Arlen replied. “I even bought my own gun with me.”

—————————

Sandra Swolsky looked up questioningly from the kitchen counter as Gary entered. Gary returned her stare with a sort of defeated resignation.

“Big Are doesn’t wanna help the Smurfs on their cooking expedition,” he said, smiling wryly.

Melissa turned around and gazed fixedly at him with her hands on her hips. Gary was reminded of how his mother would display the exact same body language as she would scold him for the various offenses of his youth.

Gary laughed. “Actually, he said he’s gonna go check on the kids, then he’ll be down to give us aid.”

Melissa’s posture relaxed. “All right,” she said, turning back to her self-appointed task of stirring the mashed potatoes.

Gary drew near his wife’s left side, slipping his right arm around her hip as he did so. He was again struck by how remarkably similar Sandra and Melissa were in physical appearance. Both had jet-black hair that the two women had tied up in comparable styles. They also shared green eyes and were the same height, although Sandra supported almost twenty extra pounds on her frame than Melissa did. Seeing them here in the kitchen made Gary think of two well-behaved teenage sisters graciously preparing dinner for their parents.

“Lissa?” Gary asked, craning his head forward to look at her because she was standing on the opposite side of Sandra at the counter. “Can I ask you something?”

Melissa also stretched her head forth to glimpse back at him. “Yeah, go ahead.”

“Is Arlen okay?”

Melissa sighed wearily, making Sandra’s eyes dart in her direction. “He hasn’t been sleeping again, Gary. Me and Sandy were just talking about it.”

“I told her about how good the Valerian worked for me,” Sandra broke in. “She says trying to get Arlen to take pills is like trying to get Jacob to eat vegetables.”

Gary chuckled. “Don’t I know it. I’ve been trying to tell him about it, too. I’m surprised he’s taking that cholesterol med you told me about, Lissa.”

Melissa raised her thin eyebrows and sighed again. Gary thought that this time it was more of a melodramatic sigh than her first one. “He had to. Doctor Burke said that his cholesterol was outta control, and that if he didn’t do something, he’d have a heart attack before he turned forty.”

The three of them were silent for a moment.

“If you ask me,” Sandra said at last, breaking the shared quiet. “Not being able to sleep qualifies as getting something you have to take.”

“He doesn’t listen,” Melissa said brusquely, “It’s like he wants to suffer through that shit when it happens. I get worried sometimes, thinking about him at work and driving around a forklift when his eyes are so puffy he can barely see anything.”

“Not to mention just driving to work,” Sandra added. She turned away from the counter to check the status of the main course for their upcoming dinner, which was a massive rotisserie-style chicken.

Gary’s eyes accusingly danced back and forth between the two women. “What is this, some kinda interrogation of Arlen while he’s outta the room? He has a sleeping problem. He’s not nuts or anything like that.”

Melissa looked at Gary sensibly. “It can make him nuts.”

Gary was mute.

“Sometimes it scares me a little.”

Gary held his tongue.

“I’m not shitting you,” Melissa continued, “He’s always looking around, like he thinks somebody’s after him. Sometimes I’ve heard him talk to himself-”

“Hell, I talk to myself a lot of the time,” Gary broke in.

Melissa went on, ignoring Gary’s remark. “I’m just really pissed at him because he won’t get help for his insomnia when it comes, and this time is the worst it’s been in years. If I couldn’t sleep, then I-”

But she didn’t have a chance to finish. From upstairs, almost directly above their heads in the children’s room, came the deafening roars of three gunshots.

—————————

As the three of them bounded up the staircase with Jacob Swolsky following behind them, Melissa Rice thought to herself, God, please don’t let them have found Arlen’s goddamn gun. He’s been so zonked from not sleeping he could’ve left the fucking drawer unlocked-

But her train of thought was derailed when she saw her husband standing at the top of the staircase, looking down upon them all with a far-off expression on his face. The .45 automatic pistol he had bought for home protection two years before was clutched in his right hand.

The barrel of the gun was smoking.

“Arlen!” Melissa yelled. The likelihood that her husband had murdered both of their children and the Swolsky’s little girl still hadn’t broken through her alarm yet. “What happened? Oh God-”

“Had to,” was all Arlen Rice could say.

Gary nudged Melissa aside and bounded up half of the stairs. He was the first of the three who was convinced by the reality of the situation; all Gary had to do was see the peculiar, serene madness in his friend’s face and the smoking gun to understand what just transpired.

“What the fuck do you mean?” Gary screamed up at Arlen from his position six steps down. “Where’s my daughter? What did you DO TO HER?”

“Had to,” Arlen repeated vacantly. “Had to do it.”

Gary Swolsky bellowed an inarticulate shriek of rage and charged up the stairs toward Arlen. Sandra and Jacob tried grabbing his shirt in an effort to restrain him, but they were too late. All Melissa could do was watch, transfixed, as her longtime friend and neighbor met his fate at the hands of her husband.

Arlen pistol-whipped Gary in the face right before he could make any sort of physical contact. The swift, brutal violence of action betrayed how calm Arlen’s face really was; with the exception of his quivering eyes, Arlen’s facial expression was one of chilling impassiveness. The blow caused Gary to crumple to his knees on the staircase, stunned.

“NO, ARLEN! DON’T-” Sandra shouted, right before Arlen aimed the gun at the back of Gary Swolsky’s head and pulled the trigger.

The exit wound tore open Gary’s forehead, splashing blood and gristle onto the step in front of his face and generating a dreadful slotch sound. His head dropped face-first onto the stair with a grisly smack. His body, now lying flat and at an angle upon the staircase, slid downward a few feet before stopping. His right arm and foot began to spasm, as if a small yet intense electrical current was passing through him.

“Dad…?” Jacob said, seemingly not grasping the fact his father was dead. The two women were breathing heavily. Sandra’s mouth opened and closed continually, like she were trying to speak but couldn’t find any words.

“Alla you,” Arlen said. The sound of his voice made the three of them look up at him. He was coming down the steps with a methodical diligence, aiming the gun in their general direction. His eyes rolled from side to side in their sockets with maddening repetition, as if he were looking, searching, expecting other things to make themselves known at any second.

Sandra Swolsky finally found her voice. “YER FUCKING CRAZY! YOU KILLED HIM! YOU KILLED MY GIRL! WHY DID YOU-”

Arlen raised the gun at her. Sandra grabbed her son by the upper arm and forcefully shoved Melissa out of their way. Taken completely unaware, Melissa stumbled and fell hard onto her tailbone, sending a jolt down her left leg and up her spine. She cried out in startled pain.

Sandra dragged Jacob, who was as limp as a shabby doll, toward the front door. He was still gawking in hushed shock at the corpse of his father, which was still lain out across the stairs. Silent tears leaked from the corners of his eyes.

Arlen aimed at her over the banister and fired twice in rapid succession.

The first shot missed, ripping a hole in the wall by the coat rack. The second hit Sandra in the back of the head as she hastily paused to open the front door. The force of the bullet caused her face to collide with the door and rebound, leaving a large bloody splotch upon its white paint. She crashed to the floor, twitching wildly. Jacob sprawled out next to her and uttered a screech of surprise.

What finally pulled Melissa Rice out of her own state of shock wasn’t the pain triggered by her abrupt fall, nor was it the callous fashion in which Sandra had pushed her aside for the benefit of her and Jacob’s safety. It wasn’t even the haunted and strained face of her husband, now standing over Gary Swolsky’s corpse on the stairs and watching it in clear anticipation of something.

It was the fact that Sandra Swolsky was still alive and trying laboriously to breathe through the ruined gorge that was her nose and mouth. Her breathing was raspy and Melissa could hear fluid gurgling in her throat. Her head jerked rapidly from side to side. Jacob, just then coming out of his own stupor, was weeping hysterically and clutching his mother’s cheeks in each hand. Her blood flowed between his fingers, warm and tacky, but he seemed not to notice.

Arlen stood in the same spot, gaping at Gary’s corpse, quietly fascinated.

What’s he waiting for? Melissa thought to herself as she backpedaled toward Jacob using the heels of her feet. It looks like he’s expecting Gary to get up again.

Jacob started to wail in horrible, helpless grief. His cries yanked Melissa out of her thoughts.

“Mommy! MOM! MOM! No, please don’t DIE! No no no no no!”

Melissa was still in a sitting position but she was farther away from the bottom of the staircase, almost to the front door. Jacob and Sandra were directly behind her. She threw a quick glance up at Arlen. His brow was creased and he was frowning, as if he were baffled by an exceptionally difficult math equation.

Melissa peered back at Sandra, who was now breathing in smaller, strangled gulps of air, and decided against trying to grab Jacob and make a run for it. She knew Arlen was a good shot, for all she had to do was study the evidence in front of her. How he could be such a marksman with those swollen eyes and weeks of sleeplessness didn’t matter. She turned her head around again to look at her husband.

“Arlen,” she said, swallowing back a lump in her throat.

Arlen looked up from his examination of Gary Swolsky’s corpse and fixed her with his gaze. He looked even more confused, and – she thought with a little hope – repentant.

“Arlen, you’re sick,” she said, startling herself with her ability to even find the words. “Let me call the hospital. You need help.”

He looked at her, speechless, his brow wrinkling further.

Melissa swallowed again, pressuring herself to select the right words. Her anger urged her to hurl a volley of obscenities and curses at him, but she realized that would make the situation worse, if that was possible. “Arlen, why are you doing this? What did we do?”

“Had to,” he replied, visibly shaken. He pointed up the staircase toward the second floor landing. “They…they…I don’t get it…Gary’s still here. He’s still here.” Arlen looked past Melissa toward the fallen Sandra and pointed at her. “She’s still here, too.”

Melissa turned to see Sandra. She was dead now, beyond any doubt or question. Jacob lay with his head buried in her chest and crying, sobs wracking his upper body.

“What isn’t there…makes me afraid,” Arlen finished. His eyes, which in the previous few moments seemed to have more focus in them, began to flick back and forth again.

My God, he’s totally gone. Why didn’t I see it coming?

Arlen started down the stairs, stepping over Gary’s body as he came. Melissa backpedaled further, reaching the edge of the living room, where the sounds of Halo were still blaring from the television (apparently Jacob never bothered to pause the game when he heard the gunshots upstairs). She watched as Arlen reached the first floor and walked over to the dead mother and her broken son, who still had his face buried in her bosom.

Melissa reached her hand out, as if doing so could stop him.

“Arlen, don’t kill him too!” Melissa yelled, but it was to no avail. Arlen pointed the gun down and shot Jacob Swolsky in the back of the head as he wept for his mother. Jacob’s entire torso jerked reactively, and then he was still.

“Gotta make sure,” Arlen said, watching Jacob’s inert form. “Probably some kinda trick I saw upstairs. Dunno what kinda sick shit this is.”

Witnessing Jacob’s murder crystallized Melissa’s mind’s eye-view of what happened to her own children. Shauna and Junior, both with the thickest black hair, beautiful brown eyes, full pink lips and the fairest of tan skin, were guilty of no more than being the children and first victims of a madman. Melissa felt an overpowering agony sweep through her. The sorrow took with it any desire for her own survival, like a river washing a derelict boat out to sea.

Arlen started coming toward her, his eyes trickling mute tears.

“My babies,” Melissa said, her lower jaw quivering, “Our babies. Arlen…why? Goddamn you! GODDAMN YOU!”

She began to cry, burying her face in her hands. Her children were dead, her friends were dead and her husband had been the one who killed them all. In that moment, Melissa Rice compulsively wanted it to be over.

“My babies…my babies…”

Arlen pressed the barrel against the back of his wife’s skull.

“Just do it, Arlen,” she managed through her sobbing. “I wanna be with my babies.”

“Have to,” he said, “I’m sorry if you ain’t…no…I know that you-”

“JUST FUCKIN’ DO IT, ARLEN! WHAT’RE YOU WAITING FOR, YOU FUCKER? DO IT DO IT DO IT!” Melissa roared, her voice cracking with unbearable emotion.

Arlen’s face wrenched into a vulgar, crooked mask of sorrow and rage.

“I HAVE TO! I HAVE TOOOOOO-”

But Melissa Rice would hear no more of his piercingly tortured scream. He pulled the trigger for the final time on that terrible day.

As police sirens approached moments later, the sounds of glass shattering and awful, guttural howling emanated from inside the Rice home.

2

——–

March 21, 2006: Toledo, Ohio

“Hey, Jamie! You got any smoke on ya?”

James England looked around the first floor hallway of Johnstone High School with crazily seeking eyes.

“Keep it down, dude! Do you want the Goat to hear your dumb ass, or what?” James sharply replied.

“Sorry,” said Ritchie Armstrong, looking ashamed and a trifle frightened, as if he were awaiting some form of repercussion.

“No,” James said, “I don’t. Smoked the last of my stash last night. My girl might have a dime at her place, but I don’t think she’s gonna part with it.”

“Damn! I got Lindsay Mullin comin’ over tonight. I heard when she smokes weed, she likes to give up the smiley-pie.”

James broke into a gale of hearty laughter that seemed to billow up out of his diaphragm, like the cough of a longtime smoker now suffering from lung cancer. “‘Smiley-pie’?” James said more than asked, as he pushed open the doors leading outside. “Is that what you call it, dude?”

Ritchie humbly shrugged his shoulders as he followed James out the door and into a sunny yet chilly mid-afternoon. “Yeah, that’s what I call it. It’s the pie that makes ya smile. Got it from my brother.”

“The one still in Iraq?” James asked.

“Yeah, that’s him,” Ritchie responded, his tone changing slightly. He almost sounded defensive, even though he had no reason to be.

“When’s he comin’ home? When Bush is done suckin’ the big fat oil-cock?”

“I guess. He was all set to come home around Christmas, then they decided to keep him over there for another six months. Bullshit.”

“Yeah, it is,” James reciprocated. “But hey, Rich, I gotta get goin’. I’m meetin’ my girl soon and we might hit the movies.” He seemed to consider what to say next. “I’ll ask her about her dime, though. See if she can spare any.”

“Sweet! All right, man. If she does, can you get it to me later tonight?”

“I’ll try. See ya, dude.”

With that, James England left Ritchie Armstrong to his own devices. He started to walk his usual path that led home, knowing damn well that Ritchie wouldn’t get even a thimbleful of his girlfriend’s stash of marijuana tonight.

James England felt like smoking most of it himself.

—————————

James stood outside of his house, irresolute, for almost ten minutes, smoking two cigarettes during that time span. The longer he stood there, the more his house took on the appearance of a vague facial construct to him, a bizarre, demonic altar still stained with the torment of its past sacrifices.

Even though he felt the usual foreboding at having to go back to his own home, he was thankful that he at least didn’t encounter Marquese Williams while he made the trek home. Marquese, who supposedly was a member of a street gang, attended the same school as James and was one of his biggest headaches. Many times during the course of a typical day, Marquese would throw insults at James or even try to instigate a physical altercation with him. It didn’t matter if it was before school, during school, or on James’s way home from school, Marquese could never leave him be for long and almost always had his posse in tow. Many times, James avoided fighting him by the skin of his teeth, regardless of whether or not Marquese had his crew with him. James knew that one day – and probably soon – that there would be a bloody reckoning with Marquese, and James relished the anticipation he felt of that potential conflict. He wasn’t an unabashed admirer of violence – even though he had been suspended a few times since junior high for fisticuffs – but when it came to Marquese’s ugly, persistently-sneering face and wounding remarks, well…at least it was something he could fix with his fists. The problems he faced at home couldn’t be fixed by any method he could devise.

James dropped the butt of his smoldering cigarette onto the sidewalk and crushed it out with the sole of one of his well-worn Vans shoes. He tucked his pack of cigarettes – Pall Mall Menthols – into the side pocket of his jeans. He knew that his mother knew he smoked; still, he felt awkward about letting her see him do it. In fact, when it concerned his mother in recent days, there were a lot of matters he didn’t feel comfortable with.

With legs that felt as weak as those of a crumbling wooden puppet hanging precariously from piano wire, James made his way up to the front door. He reached into his jacket pocket for his house key, fumbled it and dropped it onto the wooden floorboards of the front porch.

“Shit,” he hissed under his breath as he bent over to pick up the key. When he returned to his upright position, the loud barking of the neighbor’s dog across the street startled him and he dropped the key onto the floor of the porch again.

James turned around and looked.

Across the street, the neighbor, Mr. Collins, had emerged out of his residence and was checking the contents of the mailbox. His dog – a mix of Labrador and Husky – was tied to the tree jutting out of the front yard like the outstretched hand of a dying patient seeking final comfort. The dog was barking at Mr. Collins with an almost infuriating incessancy, but the man himself didn’t seem to notice nor care in the least.

James England didn’t find it out of the ordinary that a dog would be barking at its owner like he was a complete stranger.

Mr. Collins was examining the envelopes he pulled out of his mailbox when he observed James looking in his direction. Mr. Collins smiled kindly and waved.

James returned the wave, smiling himself. He hoped that his grin looked real enough, because it felt artificial, almost plastic, on his own face.

James turned around, scooped up the key, and let himself into the house.

—————————

The first thing James had to do when he entered the front foyer was empty his bladder.

He carelessly threw his backpack onto the living room couch through the foyer’s left entryway and started to gradually climb the steps leading to the second floor. He didn’t know where his mother was, but he knew for certain that she was home, because he could hear the purring snores of his one year-old nephew, Danny, emanating from the room he shared with his mother and James’s sister, Lisa. And Lisa, he recalled, was working that day.

When he reached the top landing, he heard the metallic clatter of what sounded like pots from the first floor and an angry, “Fuck!” that was close to being a shout. His mother must have been in the kitchen putting dishes away, and that suited James just fine. He was having one of those days where negligible contact with his mother would greatly improve his frame of mind.

James opened the door to the bathroom and closed it behind him. He stood with his back up against it, taking in deep breaths, a fearful grimace twisting the features of his face.

I can do this, he thought. I can do this. I’ve been doing this every day for a long time now, and today’s no different from all the others.

Still, it took him another minute or so before he could suppress the butterflies in his stomach long enough to walk past the mirror on the wall to his right. He didn’t give it even the most cursory of glances.

He lifted the toilet seat, did his business, and then flushed. Instead of washing his hands in the sink, he took out a baby-wipe from its plastic dispenser and used that to clean his hands. He dropped it in the small wastebasket next to the toilet before turning around and inspecting the rest of the bathroom.

Damn, can’t wash my hands like a normal jackass and my girl has to shave me with a straight razor. What a life. I mean, what a fucking life.

On the opposite wall of the toilet there was a shelf where his mother kept a dizzying array of synthetic plants. Why she thought that fake plants were needed in the shitter was a personality quirk of his mother’s that James England would forever be past the point of comprehending. He walked over there regardless, keeping an attentive ear out for his mother if she should approach, and checked what he had hidden behind the plants. It was still there, and the accumulative dust that lined the plastic leaves of all the plants and the shelves suggested that no one had bothered to move or give them a good dusting in some time. Still, he felt the obsessively compulsive and paranoid need to better camouflage what he had concealed there.

When he did enough to appeal his own sense of contentment, he turned and left the bathroom, once again ignoring the sink and the mirror suspended over it.

—————————

James was in his room, typing an instant message to his girlfriend on the laptop computer when his mother, Allison, walked in.

“Jamie? Can we talk?”

He froze momentarily, the rapping of the keyboard coming to an abrupt halt.

“I don’t care,” was his reply.

He heard the sounds of her movement as she entered the room. “Chatting with her again?”

“Yeah,” he said. He typed his girlfriend a simple message: BRB. He sent it to her before folding the screen down onto the keyboard.

James revolved around in the swivel chair to look at his mother, who sat on the edge of his bed. A tired yet vibrantly aware expression was on her face.

“Jamie, I just wanted to say that I’m glad you’ve been doing better in school. And I’m happy for you not getting suspended lately.” She said this last with a wry smile, as if she were trying to share an inside joke with her son.

He returned her gaze, trying to look as relaxed, as comfortable, as he could manage.

“Well, that one jerk Kevin that was always messin’ with me got expelled,” James said, “The Goat saw to that. Guess he got busted carryin’ a blade to school one day. But Marquese’s still in school. I hate his ass. More than Kevin.”

Allison’s eyes widened slightly. “You think that kid meant to use it on you?”

James shrugged his shoulders, as if to say, Hell, anything’s possible, Ma.

“I wish I had the money to send you to a private school-”

“And get messed with by nuns, instead?” James interrupted.

Allison looked at him with a sharp, contradictory eye. “Hey, I went to Central. It wasn’t so bad back then. No reason to think it would be now, right? At least Catholics run a better school than the city of Toledo ever could.”

James didn’t verbally reply. He just shrugged his shoulders a second time and started spinning the swivel chair from side to side in choppy half-circles, but he kept his mother in attentive view.

“Look, Jamie. I’ve been thinking of asking your dad to-”

When she saw James’s reaction, she cut herself off. He stopped spinning the chair and a fiery, angry light erupted in his eyes.

“What? Come back? I don’t think so, ma-”

“No, no! That’s not what I’m saying-”

“Why the hell did he leave, anyway? Huh? Neither one of you ever bothered to tell me that shit!”

“It’s none of your-”

“Yeah, yeah! None of my fuckin’ business, I know! So tell men, Ma…just what were you gonna ask Dad for?”

She was silent for a moment before speaking again. Her voice was a trifle unsteady yet her eyes were narrowly focused. “I was going to ask him if he could help pay for you to go to Central.”

James, for an instant, reacted as if he were sucker-punched in the abdomen before quickly regaining his composure. “I don’t wanna go to Central, Ma. I don’t wanna leave my friends at Johnstone behind.”

She cocked her head. “What do you see in those ‘friends’? Why are they so special that you just can’t see them after school instead during school, after school and everything in between?”

“They always got my back,” James said, rubbing a hand through his hair, as he often did during times of tension or conflict. “Think I’ll make any good friends at Central, Ma? Most of em are dumbass, bratty mall shoppers and jocks.”

Allison looked at him, seemingly sizing him up.

“I’m not your enemy, Jamie. I just think you’ll have a better chance if you go to a better school.”

“Ma, I’m gonna be a senior next year. Do you really wanna go through all this trouble, tryin’ to get money off of Dad and other bullshit just so I can go to Central for one damn year? Lisa never got to go to Central, do you think-”

“Leave your sister out of this,” Allison interjected brusquely. “This ain’t about her, it’s about you.”

“Fine, whatever,” James said, waving his hand sharply, as if he were trying to swat away a troublesome flying insect. “I’m gonna be eighteen next year. That’s a legal adult, right? Why can’t I make some of my own decisions?”

Allison looked away, appearing defeated. “Jamie, I don’t want to argue anymore-”

“It’s, like, all we do,” James said.

“Yeah,” she agreed. “But you’re still my son…and I’m still you’re mother.”

She stood up, stretching her ailing lower back and wincing when it cracked like an air-pistol shot. “I gotta take Danny to see his other grandma. She’s a nice lady…hard to believe Lisa chose that fuckup of a father.”

James said nothing. He looked as if he were in a mild state of bewilderment.

“Look, we’ll see how the rest of this school year goes before I decide on anything, okay?”

“Okay, Ma,” James replied, sounding distant and modestly detached from reality.

“Will you be out with your friends when I get back?”

“Probably.”

“Okay,” Allison England said. She turned around, stopped, and then looked back at him one last time.

“Jamie, I’m just worried. Since your dad left, you’ve been more pissed off than you ever were before he left, if that’s possible. I just think if you keep going to a public school with all these hoods and shady kids that mess with you, you’ll eventually fight back in a way that’ll make news headlines. I don’t know why you’re so angry all the time, but sometimes…”

She trailed off, ruminating on her thoughts.

James looked at her with indifference. “‘Sometimes’ what, Ma?”

Tears were building in her eyes, but her jaw was set and her cheeks were drawn tight in the resistance of her escalating emotions. “Sometimes I’m afraid of you, Jamie, and I’m afraid of what you’re capable of. But like I said before: I’m still your mother, and I wish you’d stop treating me like an enemy.”

With that, she turned and left him behind in his room.

He continued to sit in the swivel chair for some time, listening to the noises that signaled the imminent departure of his mother and nephew from the house: the whining creak of the floorboards as she walked into Danny’s room and dressed the baby; the cooing and cawing of Danny as she changed his diaper; her descending footfalls and the audibly fading gibberish spoken by Danny as she proceeded down the staircase toward the first floor; the opening and closing of the front door; the start of the Jeep Wrangler’s engine outside.

There the young man sat for some time, staring inanely at the doorway that led out of his room, looking like he were in a deeply comatose state. He couldn’t help but to replay one of the last things his mother had said to him over and over again inside of his troubled mind, like an endlessly spinning tape loop.

I’m still you’re mother.

I’m still you’re mother.

James “Jamie” England buried his face in his hands and began to weep. He cried because Allison was right on one account. He was also starting to fear himself and what he could be capable of.

I’m still you’re mother.

Bullshit, he thought to himself. He swiveled back around in his chair, lifted the laptop’s screen and logged onto the Internet. After a few minutes passed, James glanced back over his shoulder toward the open door of his room.

To James, it felt like there was an invisible entity standing in his doorway and watching him with spiteful awareness. There was nobody else in the house – all he had to do was look out of his window and see the vacant driveway below to substantiate that – but he couldn’t shake the sensation.

James stood up out of his chair and walked over to the door, closing and locking it. Satisfied, he went over to his chair and sat back down in front of the laptop.

Twenty minutes later, James was perusing several older online articles about a killer nicknamed The Family Man.

© Daryl Brownell